In 1996, Mandar meets Parul again in order to keep in touch with her and is left heartbroken when he finds her with another guy, Alok. Once again Mandar is forced to shift residences and finally ends up staying with Dilip. Their furtive affair carries on for a while, Jyotsana visiting Mandar's flat from time to time, before Deepak finds out. Jyotsna needing sexual fulfillment finds it in Mandar. Hers is a marriage that has petered into nothingness, given her husband has let himself go out of shape and humor. Getting back to Mandar's dalliance with Jyotsana, their casual flirting gradually reaches a point where they start an affair. They both conclude with a racist joke that love is not only blind but color blind! Kshitij marries Anju and they eventually have a son. In an amusing scene, Mandar and Dilip talk about how Kshitij didn't fall for any of the pretty girls he was seeing, but fell in love with a dark complexioned plain girl. The ordinary looking Anju has a maturity and strength that gradually makes Kshitij fall in love with her. Incensed on learning of this heinous act, Kshitij beats up the father and takes Anju and her kid brother away thus rescuing them. In a side plot, one of Kshitij's many girlfriends has a friend Anju who is being sexually abused by her own father. The dapper Kshitij, in the meanwhile, beds a steady parade of stunning girls at Mandar's flat. There he meets a beautiful housewife Jyotsna (Sai Tamhankar) and sets his sights on her. While making out in the hostel room, they are caught by the warden and Mandar gets expelled from the hostel, leading him to rent a small flat. Mandar stalks Parul (Veera Saxena) only for having sex with her.
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There also he is accompanied by his cousins Dilip and Kshitij the latter is an army officer by now. Later in the year 1995, Mandar is now grown up and is an engineering student in Pune. His life becomes more exotic as he starts to woo girls, watching adult films and fantasizing about ladies. By the end of their vacation Mandar realizes that he is no longer a kid. 15 year old Kshitij is studying in a military school and is mature beyond his years in his views and aspects about marriage, love and sex. The year is 1989, Mandar along with his cousin Dilip (nicknamed Yusuf as a tribute to the thespian) visits his village in Maharashtra where their cousin Kshitij is already waiting for them. The narration now moves back several years to Mandar's early teenage years. 'Its a physical need' he philosophizes, whereas love is a different ball game and isn't necessary for sex. In turn, Mandar explains his philosophy about sex as a purely physical act, somewhat akin to the satisfaction of the 'perfect' bowel movement. The movie opens with one such scene where his friends tell him to get married as he is too old to screw around. In his early 30s, he is only interested in 'scoring' one night stands while his friends are all married with kids.
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But behind that facade is a story - of an interesting past life that has been led.
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Mandar does not attract attention because he wants to be seen as ordinary. He dresses very un-dandily if there was such a term, wears a goatee to hide what could be considered a weak chin. Mandar Ponkshe is an ordinary guy, meaning there is hardly anything extraordinary about him. Mandar, an ordinary guy is obsessed with sex and chases girls until he meets Tripti and decides to settle down with her.